Cartographie of Us #2 /
Caring for the land
Since 2016, the project Cosmomorphe has been reconsidering humans as one living being among others for the purposes of composing a common world, both human and non-human. In 2019, based on Stations 15 – “Faire Chair, comment changer de paradigme dans des mondes enchevêtrés?” – 16 – “Métamorphose et contamination, la permanence du changement” – and 18 – “Rituel.le.s” –, a need for a true transformation capable of allowing us to put our imagination into action emerged. Now more than ever, the amplification of the planetary crisis spurs us to action, starting with (re)establishing connections: this is what La Fabrique du Nous, initiated by the IAC and URDLA, invites us to do. On this occasion, the Laboratory is organizing Station 21 "Cartographie of Us #2 / Caring for the land". Who or what is the “us” of today? How can we draw up new maps of the relationships between humans and non-humans employing sensitivity and creation? With which maps of living communities can an art of re-inhabiting and rehabilitating the world emerge? Similar to the example of the exhibitions and events organized by SILLON, aiming to re-situate artistic practices in terms of their involvement and commitment at the heart of an everyday life, and by relying on the identity of a territory, Station 21 “Cartographie of Us #2 / Caring for the land” proposes to measure our attachment to the earth with the most refined descriptive practices possible. Shifting the political and demiurgic expression of territorial planning to the careful but precarious expression of land management implies, among other things, basing the work on materials, fluids, and biological processes to the extent that they overwhelm the "environment" through their geomorphic power.
Works under study
![6. lara almarcegui mineral rights 2015 6._lara_almarcegui__mineral_rights__2015.jpeg](/fileadmin/user_upload/_processed_/csm_6._lara_almarcegui__mineral_rights__2015_58fd1160ea.jpg)
Lara Almarcegui, Mineral Rights Tveitvangen Oslo, 2015. Courtesy of the artist
![13. ursula biemann devenir university 2019 2022 13._ursula_biemann__devenir_university__2019-_2022.jpg](/fileadmin/user_upload/_processed_/csm_13._ursula_biemann__devenir_university__2019-_2022_2379089074.jpg)
Ursula Biemann, Devenir Universidad, 2019- 2022
![1. thierry boutonnier 1._thierry_boutonnier.jpg](/fileadmin/user_upload/_processed_/csm_1._thierry_boutonnier_fef23a0cca.jpg)
Thierry Boutonnier, Noire de Gascogne, 2020- 2021. Courtesy : Myriam Richard et Thierry Boutonnier
![T. calmettes t._calmettes.jpg](/fileadmin/user_upload/_processed_/csm_t._calmettes_cb601ca005.jpg)
Tiphaine Calmettes, Comme un milieu entre l’air et la terre, 2021. Courtesy of the artist
![3. tiphaine calmettes la terre embrasse le sol 2019 3._tiphaine_calmettes__la_terre_embrasse_le_sol__2019.jpg](/fileadmin/user_upload/_processed_/csm_3._tiphaine_calmettes__la_terre_embrasse_le_sol__2019_9badff4ee8.jpg)
Tiphaine Calmettes, La terre embrasse le sol, 2019. Courtesy of the artist
![Csm 2. raffaella spagna et andrea caretto e tre caillou 2011 7581001715 csm_2._raffaella_spagna_et_andrea_caretto__e__tre_caillou__2011_7581001715.jpg](/fileadmin/user_upload/_processed_/csm_csm_2._raffaella_spagna_et_andrea_caretto__e__tre_caillou__2011_7581001715_a4b60caf06.jpg)
Andrea Caretto et Raffaella Spagna, Être caillou, 2011. Courtesy of the artists
![5. laetitia carlotti cow production cow working 5._laetitia_carlotti_cow-production_cow-working.jpg](/fileadmin/user_upload/_processed_/csm_5._laetitia_carlotti_cow-production_cow-working_650bea4e47.jpg)
Laetitia Carlotti, Ca-OS, 2021.
![15. suzanne husky des lieux de vie valent plus que le produit. occuper re sister cultiver 2017 15._suzanne_husky__des_lieux_de_vie_valent_plus_que_le_produit._occuper__re__sister__cultiver__2017.jpg](/fileadmin/user_upload/_processed_/csm_15._suzanne_husky__des_lieux_de_vie_valent_plus_que_le_produit._occuper__re__sister__cultiver__2017_ec477a9e6d.jpg)
Suzanne Husky, Occuper résister cultiver, 2017. Courtesy of the artist and Galerie Alain Gutharc
![Csm capture d e cran 2021 10 07 a 11.16.33 e3655f1a04 csm_capture_d_e__cran_2021-10-07_a___11.16.33_e3655f1a04.png](/fileadmin/user_upload/_processed_/csm_csm_capture_d_e__cran_2021-10-07_a___11.16.33_e3655f1a04_7bcec4ebac.png)
![Csm capture d e cran 2021 10 07 a 11.16.21 d929b7a643 csm_capture_d_e__cran_2021-10-07_a___11.16.21_d929b7a643.png](/fileadmin/user_upload/_processed_/csm_csm_capture_d_e__cran_2021-10-07_a___11.16.21_d929b7a643_72333b2803.png)
Suzanne Husky, Manifeste pour une agriculture de l’amour, 2019. Courtesy of the artist
![11. a gnes de nes tree mountain 1992 11._a__gnes_de__nes__tree_mountain__1992.jpg](/fileadmin/user_upload/_processed_/csm_11._a__gnes_de__nes__tree_mountain__1992_36532f8a5b.jpg)
Ágnes Dénes, Tree Mountain - A Living Time Capsule-11,000 Trees, 11,000 People, 400 Years, 1992-96, Ylojarvi, Finland, 1992.
![12. i. kopelmanaletsch glacier 8 12._i._kopelmanaletsch_glacier_8.jpg](/fileadmin/user_upload/_processed_/csm_12._i._kopelmanaletsch_glacier_8_8b26598fd4.jpg)
Irene Kopelman, View from Grosser Aletschgletscher, 2013. Courtesy of the artist and Galerie Jocelyn WolffIrene Kopelman
![9. maria laet 9._maria_laet.jpg](/fileadmin/user_upload/_processed_/csm_9._maria_laet_9b9351addc.jpg)
Maria Laet, Notas sobre o limite do mare, 2012. Courtesy of the artist
![10. susana meji a color amazonia 2015 10._susana_meji__a__color_amazonia__2015.jpg](/fileadmin/user_upload/_processed_/csm_10._susana_meji__a__color_amazonia__2015_564769c063.jpg)
Susana Mejía, Color Amazonia, 2015. Courtesy de l'artiste
![7. liliana motta sol en ville 2005 7._liliana_motta__sol_en_ville__2005.jpg](/fileadmin/user_upload/_processed_/csm_7._liliana_motta__sol_en_ville__2005_f150f8bbb9.jpg)
Liliana Motta, Sol en ville, 2005. Courtesy of the artist
![4. katie paterson future library certificate 2014 2114 4._katie_paterson__future_library__certificate__2014-2114.jpg](/fileadmin/user_upload/_processed_/csm_4._katie_paterson__future_library__certificate__2014-2114_caa9e37063.jpg)
Katie Paterson, Future Library, Certificate, 2014-2114. Collection FRAC Franche-Comté - Courtesy of the artist and Ingleby Gallery
![8. linda sanchez colonie 2016 en cours 8._linda_sanchez__colonie__2016-en_cours.jpg](/fileadmin/user_upload/_processed_/csm_8._linda_sanchez__colonie__2016-en_cours_c6845fb5a3.jpg)
Linda Sanchez, Colonie, 2016 - ongoing. Courtesy of the artist
![Iac sanchez5e47220 original iac-sanchez5e47220_original.jpg](/fileadmin/user_upload/_processed_/csm_iac-sanchez5e47220_original_4fb0e2fbea.jpg)
Linda Sanchez, Chronographie de robe de goutte d'eau n°6. Épuisement d’une goutte, 2014 / Collection IAC, Villeurbanne/ Rhône-Alpes
![14. vahan soghomonian org rchbrn 2021 14._vahan_soghomonian__org-rchbrn__2021.jpg](/fileadmin/user_upload/_processed_/csm_14._vahan_soghomonian__org-rchbrn__2021_218920c546.jpg)
Vahan Soghomonian, ORG-RCHBRN, 2021. Courtesy de l'artiste
Speakers
Tiphaine Calmettes
Faire avec, faire ensemble. Récits d'expérimentations
Artist
Laetitia Carlotti
Vacaghja, de l’enclos à l’espace ouvert
Visual art researcher and landscaper, Director of the association arterra
Hervé Coves
Ma mère l'oie et autres histoires de la terre avec Susanne Husky
Franciscan Agronomist and Mycologist
Camille de Toledo
Vers un soulèvement légal terrestre
Author, Doctor of comparative literature
Matthieu Duperrex
Introduction. Retour sur le « travail vivant », ou comment sortir de notre crise d’engendrement ?
Lecturer in humanities at the École nationale supérieure d'architecture de Marseille, artist and theoretician, artistic director of the collective Urbain
Suzanne Husky
Ma mère l'oie et autres histoires de la terre avec Hervé Coves
Artist trained in art, horticultural landsca- ping, permaculture, herbalism, agro-ecology
Germain Meulemans
La construction du sol. Une anthropologie de la pédogenèse
Anthropologist
Perig Pitrou
Exposer le vivant. Le regard de l’anthropologie des techniques
Anthropologist, director of research at the CNRS in the Social Anthropology Laboratory of the Collège de France / Université PSL, where he heads the "Anthropologie de la vie" team
Linda Sanchez
Colonie, 2015-2021 : récit d’une œuvre sans appartenances. Restitution Détours en camping / Résidence- mission Sanchez&Croze en Drôme, les partis pris d’expériences artistiques sur le territoire
Artist
Charles Stépanoff
Mort des bêtes et compassion : anthropologie d’une déchirure
Doctor in ethnology, Director of studies at the école des hautes études en sciences sociales
Didier Tallagrand
Restitution Détours en camping / Résidence- mission Sanchez&Croze en Drôme, les partis pris d’expériences artistiques sur le territoire
Artist, teacher at the École supérieure d'art de l'agglomération d'Annecy
Works under study
Lara Almarcegui, Mineral Rights, 2015
Lara Almarcegui, Permiso Volcan de Agràs, 2019
Lara Almarcegui, Secciones de Volcàn de Agras (1984), 2019
Maria Thereza Alves, Seeds of Change : A Floating Ballast Seed Garden (Bristol), 2012-2016
Ursula Biemann, Devenir University, 2019- 2022
Thierry Boutonnier, Haie Vive, 2014-2017
Thierry Boutonnier et Myriam Richard, Noire de Gascogne, 2020- 2021
Tiphaine Calmettes, La terre embrasse le sol, 2019
Tiphaine Calmettes, Comme un milieu entre l’air et la terre, 2021
Andrea Caretto et Raffaella Spagna, Être caillou, 2011
Laetitia Carlotti, Ca-Os, 2021
François Curlet, Cheval Vapeur, 2021
Ágnes Dénes, Tree Mountain - A Living Time Capsule-11,000 Trees, 11,000 People, 400 Years, 1992-96, Ylojarvi, Finland, 1992
Damien Fragnon, 625 graines, 2020
Damien Fragnon, Sur un nid de cacahuètes, 2020
Suzanne Husky, Manifeste pour une agriculture de l’amour, 2019
Suzanne Husky, Ma mère l’oie, 2021
Suzanne Husky, Occuper résister cultiver, 2017
Irene Kopelman, View from Grosser Aletschgletscher, 2013
Maria Laet, Notas sobre o limite do mar, 2012
Susana Mejía, Color Amazonia, 2015
Liliana Motta, Sol en ville, 2005
Liliana Motta, Le Cheminement de Bataville au Canal, 2015
Katie Paterson, Future Library, Certificate, 2014-2114
Claire Pentecost, Proposal for a New American Agriculture, 2006
Till Roeskens, Plan de situation : Grand ensemble, 2017
Éléonore Saintagnan, La Grande nouvelle, 2019
Linda Sanchez, Chronographie de robe de goutte d'eau n°6. Épuisement d’une goutte, 2014
Linda Sanchez, Colonie, 2016 - ongoing
Vahan Soghomonian, ORG-RCHBRN, 2021
Study days
Based on a proposition by Matthieu Duperrex (Artist and Philosopher) in exchange with Nathalie Ergino (Director of the IAC), Héloïse Lauraire (Art Historian), Cyrille Noirjean (Director of the URLDA) and Linda Sanchez (Artist).
With the collaboration of’Elsa Stefani, research associate for the Laboratoire espace cerveau
and Chantal Poncet, in charge of ex-situ projects at the IAC.ong Weerasethakul.
Friday, October 29 from 2:15 pm to 6 pm & Saturday, October 30 from 9:45 am to 1 pm at Ferme des Blés Barbus, Truinas (Drôme) & via Zoom
Friday, October 29
To join Friday's reunion, click here
ID : 840 8844 2294
Code : 194255
Saturday, October 30
To join Saturday's reunion, click here
ID : 849 9887 3193
Code : 882692
Program of Station 21
→ download the program of Station 21 (french version)
Bibliography
→ download the bibliography
Participants
Nathalie Ergino
Director of the Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Jérôme Grivel
Artist
Ann Veronica Janssens
Artist, teacher at the School of Fine Arts, Paris
Flora Katz
Art critic, independent curator and doctoral student affiliated with the Institut ACTE (Art, Creation, Theories and Aesthetics - CNRS/Université Paris 1)
Sandra Lorenzi
Artist
Théo Massoulier
Artist
Cyrille Noirjean
Director of l’URDLA (International center estampe & book), psychoanalyst (member of the International Lacanian Association)
Stéphanie Raimondi
Artist
Vahan Soghomonian
Artist
Floryan Varennes
Artist
Mengzhi Zheng
Artist